Sans Superellipse Jada 6 is a very bold, normal width, low contrast, upright, normal x-height font visually similar to 'Grendo' by Umka Type (names referenced only for comparison).
Keywords: headlines, posters, sports branding, packaging, signage, industrial, athletic, arcade, assertive, retro, impact, branding, retro tech, display, blocky, rounded corners, squared, stencil-like, compact.
A heavy, block-constructed sans with rounded-rectangle geometry and softened corners throughout. Forms are built from straight segments and broad curves, creating squarish bowls (O, D) and rectangular counters with crisp, right-angled joins. Terminals are mostly flat and the stroke treatment stays uniform, with occasional angular notches and cut-ins (notably in S, G, and some diagonals) that add a slightly mechanical, stamped feel. Spacing reads compact and punchy, and the numerals and capitals share a consistent, modular rhythm suited to large sizes.
Best suited to headlines, short bursts of text, and display settings where strong shape recognition and high impact are desirable. It can work well for sports identities, event posters, game/tech graphics, packaging callouts, and bold wayfinding or signage, especially when set with generous tracking or ample line spacing.
The overall tone is forceful and utilitarian, with an energetic, game-like edge. Its rounded-block construction feels simultaneously retro and industrial, suggesting scoreboard graphics, arcade titles, or bold signage where impact matters more than delicacy.
The design appears intended to deliver maximum visual weight with a clean, geometric construction, using rounded-rectangle forms and compact counters to stay cohesive at large sizes. The added notches and squared apertures provide character and a functional, engineered feel while keeping the overall system consistent across caps, lowercase, and figures.
Diagonal letters (K, X, Y, Z) use chunky, simplified diagonals that keep the silhouette strong, while wide letters like W remain tightly packed and structured. Counters tend to be small and rectangular, boosting density and blackness in text blocks; this gives headlines a solid, poster-like presence.