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Free for Commercial Use

Sans Normal Apluj 4 is a regular weight, wide, monoline, upright, normal x-height font visually similar to 'Actay' by Arodora Type, 'Artegra Sans' by Artegra, 'BR Candor' by Brink, 'Aeroport' by Brownfox, 'Kross Neue Grotesk' by Designova, 'Mozaic' by TipoType, and 'TT Norms Pro' by TypeType (names referenced only for comparison).

Keywords: branding, headlines, ui, signage, packaging, modern, clean, friendly, utilitarian, neutral, clarity, versatility, modernity, approachability, system type, geometric, rounded, low contrast, open apertures, even rhythm.


Free for commercial use
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A geometric sans with low contrast and consistently thick strokes, built from confident circular and straight elements. Curves are smooth and near-monoline, with generous counters and generally open apertures that keep letters crisp at display sizes. Proportions feel slightly expanded horizontally, and spacing reads even and steady, producing a calm, uniform texture in words and lines of text. Terminals are mostly straight-cut, with rounded bowls and a clear, simplified construction across capitals, lowercase, and figures.

This font suits brand systems that want a clean, modern foundation, especially for logos, headlines, and product naming where solid geometry reads confidently. Its open forms and steady spacing also make it practical for interface labels, wayfinding and signage, and packaging or editorial callouts where clarity at varying sizes is important.

The overall tone is contemporary and approachable, with a straightforward, no-nonsense clarity. Its rounded geometry softens the voice just enough to feel friendly, while the disciplined stroke behavior keeps it professional and neutral rather than expressive.

The design appears intended as a versatile, contemporary geometric sans that prioritizes clarity and consistency. It balances a friendly roundness with restrained detailing to remain broadly usable across many graphic contexts without drawing attention to quirks.

The sample text shows strong consistency between uppercase and lowercase shapes, with clear differentiation in key forms and robust numerals suited to prominent settings. The design favors legibility through simple silhouettes and large interior spaces, creating a stable reading rhythm in short paragraphs and headlines alike.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸