Sans Superellipse Pyman 6 is a regular weight, narrow, low contrast, upright, normal x-height font visually similar to 'PT Sans Pro' by ParaType, 'Mynor' by The Northern Block, and 'Eastman Condensed' by Zetafonts (names referenced only for comparison).
Keywords: headlines, signage, posters, branding, ui labels, modern, efficient, urban, clean, technical, space saving, modern utility, systematic tone, clear labeling, condensed, rounded corners, closed apertures, compact, monoline.
This typeface is a condensed, monoline sans with subtly rounded-rectangle geometry throughout. Curves resolve into flattened, superellipse-like bowls, and terminals are clean and mostly straight, giving letters a compact, engineered silhouette. Counters tend to be tight and apertures relatively closed, while verticals read strong and consistent; joins are smooth with minimal modulation. Figures follow the same compact rhythm, with a plain, utilitarian construction and uniform stroke behavior that keeps texture even across lines of text.
It performs well in headlines and short blocks where a compact footprint is useful and a crisp, modern texture is desired. The condensed build also suits signage, posters, packaging callouts, and UI labels where vertical emphasis and space efficiency help maintain hierarchy.
The overall tone is modern and pragmatic, with a slightly industrial, signage-like directness. Its compact width and squared-off round forms feel efficient and contemporary, leaning more toward functional clarity than friendliness. The voice is neutral-to-assertive, suited to information-forward design.
The design intention appears to be a space-saving contemporary sans that retains a distinctive, squared-round personality without sacrificing overall neutrality. By pairing condensed proportions with superellipse-based curves, it aims to look systematic and modern while remaining broadly applicable across display and functional uses.
The uppercase set appears especially tall and economical, creating a strong vertical rhythm. Round letters (like O/Q and C/G) emphasize the superelliptical shaping, while the condensed spacing produces a dense, steady typographic color in paragraph settings.