Sans Superellipse Abmet 16 is a regular weight, normal width, low contrast, upright, normal x-height font visually similar to 'CA Zentrum' by Cape Arcona Type Foundry, 'Dezen Pro' and 'Dezen Solid' by DizajnDesign, 'Hype Vol 1' by Positype, 'Fixture' by Sudtipos, and 'Manual' by TypeUnion (names referenced only for comparison).
Keywords: ui design, branding, signage, product labels, dashboards, clean, modern, neutral, technical, corporate, system clarity, geometric neutrality, friendly modernity, interface utility, geometric, rounded, monoline, compact, crisp.
A clean, monoline sans with geometric construction and soft, superellipse-like rounding in bowls and terminals. Strokes stay even and dark, with crisp joins and generally squared-off edges tempered by gentle corner radii. Uppercase forms are straightforward and proportionally steady, while lowercase shows single-storey a and g, a simple e with a compact aperture, and a tall, clean i/j treatment with round dots. Figures are clear and pragmatic, with oval/rounded-rectangle counters and a slightly condensed feel in some straight-sided glyphs, keeping the overall texture tidy and consistent.
Well-suited for UI and digital product typography where consistent, low-fuss shapes and even color help maintain readability across sizes. It also fits contemporary branding systems, wayfinding and signage, and concise editorial or product labeling where a neutral, geometric voice is desired.
The tone is modern and utilitarian, projecting clarity and restraint rather than personality-driven quirks. Its rounded geometry adds a mild friendliness, but the overall impression remains professional, systematic, and interface-ready.
Likely drawn to provide a dependable, contemporary sans with superellipse roundness—balancing strict geometric construction with softened corners for a calm, approachable texture. The simplified lowercase forms and pragmatic numerals suggest an emphasis on clarity and repeatable system use.
Round forms (O/Q/0/8) read as rounded rectangles rather than perfect circles, reinforcing the superellipse rhythm. Diagonals like V/W/X are sharp and decisive, contrasting pleasantly with the softened corners elsewhere; the Q’s tail is minimal and unobtrusive, and the overall spacing appears even and controlled in the sample text.