Sans Superellipse Myha 3 is a very bold, narrow, medium contrast, upright, short x-height font.
Keywords: headlines, posters, packaging, logotypes, editorial display, playful, retro, friendly, chunky, quirky, attention grabbing, friendly display, retro flavor, brand voice, rounded, soft corners, compact, bouncy, high impact.
A compact, heavy sans with rounded-rectangle construction and softened terminals throughout. Strokes are thick and fairly even, with gentle modulation mainly coming from curved joins and counters rather than true calligraphic contrast. Curves and bowls lean toward superelliptical shapes, giving letters a squarish-round geometry and a sturdy, molded feel. The lowercase is tight and sturdy with small, rounded counters; dots and punctuation-like details read as simple, solid forms. Figures are similarly robust, with simplified, blocky silhouettes that stay consistent with the rounded-corner theme.
Well suited to headlines, short brand statements, packaging, and poster work where a friendly, high-impact voice is needed. It can also work for logotypes and labels, especially in contexts that benefit from a retro or playful mood. For longer text, it will typically perform best at larger sizes with comfortable spacing to preserve counter clarity.
The overall tone is upbeat and approachable, combining a mid-century display flavor with a toy-like softness. Its chunky, rounded forms feel friendly and informal, leaning more whimsical than corporate. The narrow, compact rhythm adds punch and makes text feel energetic and attention-grabbing.
The design appears intended as a bold display sans that merges rounded-rectangle construction with compact proportions for maximum visual impact. Its consistent soft-corner geometry suggests an aim for a cohesive, approachable personality that stands out in branding and headline settings.
Spacing appears deliberately compact, and the heavy weight tends to close up internal spaces at smaller sizes, making the design feel best when given room. The superelliptical geometry creates a consistent visual system across straight and curved letters, producing a distinctive, slightly ‘molded’ texture in words and headlines.