Sans Superellipse Myda 7 is a very bold, normal width, high contrast, upright, short x-height font visually similar to 'Motte' by TypeClassHeroes, 'Carbon' by Typodermic, and 'Policia Secreta' by Woodcutter (names referenced only for comparison).
Keywords: headlines, posters, logos, packaging, signage, retro, industrial, playful, bold, display, impact, branding, retro feel, distinctiveness, rounded, superelliptic, compressed, ink-trap, stencil-like.
A heavy display sans with superelliptic, rounded-rectangle construction and tightly controlled curves. Strokes are thick with noticeable high-contrast notches and vertical cut-ins that create a subtle stencil/ink-trap feel in joins and counters, especially in rounded letters. Terminals are blunt and rounded, counters tend toward narrow vertical ovals, and the overall rhythm is compact with tall ascenders/descenders relative to the lowercase body. The forms read as structured and geometric while retaining a soft, cushiony outline.
Best suited to headlines, posters, logotypes, packaging, and bold signage where its chunky superelliptic silhouettes and distinctive interior cut-ins can read clearly. It can work for short bursts of copy in branding or editorial pull quotes, but its dense counters and compact rhythm favor display sizes over long-running text.
The font conveys a retro-industrial tone—part sign-painting and machinery, part playful cartoon massing. Its distinctive cut-ins and compact shapes add character and a slightly quirky attitude, making text feel bold, emphatic, and attention-seeking rather than neutral.
The design appears intended to deliver maximum impact with a friendly geometric voice: a strong, compact display face whose signature cut-ins add visual identity and improve differentiation in heavy strokes. It aims for a cohesive, logo-ready texture across letters and figures while keeping the overall impression rounded and approachable.
Uppercase and lowercase share the same squared-round logic, giving mixed-case settings a consistent, engineered texture. Several glyphs lean on interior slotting and pinched apertures, which boosts silhouette recognition at large sizes but can make small-size text feel dense. Numerals follow the same chunky, rounded architecture for cohesive headline use.