Sans Normal Okdem 19 is a bold, normal width, low contrast, upright, normal x-height font visually similar to 'Astoria Sans' by Alan Meeks, 'MB Empire' by Ben Burford Fonts, 'Possible' by K-Type, 'Tschichold' by Présence Typo, 'Lapidaria' by SIAS, and 'Chantilly Serial' by SoftMaker (names referenced only for comparison).
Keywords: headlines, branding, packaging, ui labels, posters, modern, friendly, confident, clean, approachable, clarity, modern branding, geometric simplicity, strong presence, geometric, rounded, compact, high clarity, even rhythm.
A sturdy sans with geometric construction and generously rounded curves, pairing near-circular bowls with straight, vertical terminals. Strokes remain even throughout, producing a solid, uniform color in text. Uppercase forms feel wide and stable, with a round O and C and a clear, open G; the S is smooth and balanced. Lowercase uses single‑storey a and g with compact apertures, short ascenders, and rounded shoulders, giving the face a cohesive, contemporary texture. Numerals are straightforward and highly legible, with a simple 1 and round 0 that match the letterforms’ proportions.
It performs well in display settings where a bold, clean presence is needed—headlines, posters, brand marks, and packaging. The clear shapes and even texture also suit UI labels and navigation elements, where quick recognition of forms is important.
The overall tone is modern and friendly, projecting confidence without feeling aggressive. Its rounded geometry and steady rhythm read as approachable and practical, suitable for brands or interfaces that want clarity with a touch of warmth.
This font appears designed to deliver a contemporary, geometric look with dependable legibility. The emphasis on round forms, uniform stroke weight, and compact lowercase shapes suggests an intention to be versatile for modern communication—distinctive enough for titles while remaining straightforward and readable.
The design maintains consistent curvature logic across letters, with minimal stroke modulation and little calligraphic influence. Counters are generally open and clean, helping the font stay readable at larger sizes and in short bursts of text such as headings or labels.