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Slab Contrasted Ibfa 6 is a very bold, wide, low contrast, italic, normal x-height font visually similar to 'Corporative Slab', 'Emy Slab', 'Newslab', 'Sanchez', 'Sanchez Condensed', 'Sanchez Slab', and 'Sánchez Niu' by Latinotype; 'Weekly' by Los Andes; and 'Egyptian Slate' by Monotype (names referenced only for comparison).

Keywords: headlines, sports branding, posters, packaging, signage, sporty, retro, confident, punchy, robust, impact, athletics, retro display, ruggedness, speed, bracketed, blocky, ink-trap, compact, hefty.


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This typeface is a heavy, forward-leaning slab serif with compact proportions and broad, squared terminals. Strokes are dense and largely even, with slightly tapered joins and small notches that read like subtle ink traps at tight corners (notably in diagonals and interior joins). Serifs are chunky and firmly attached, with modest bracketing that keeps the texture cohesive rather than spiky. Counters are relatively tight, apertures are small, and the overall rhythm is dark and energetic, with sturdy shapes that hold together at display sizes.

Best suited for display settings where impact matters: sports and team identity, bold editorial headlines, posters, badges, and packaging. Its heavy texture and tight counters can overwhelm in small text, but it performs strongly in short phrases, titles, and lockups where the energetic slant and slabs can drive attention.

The overall tone is bold and assertive, with a vintage athletic and workmanlike feel. Its strong slabs and italic slant add speed and impact, giving headlines a competitive, poster-like presence. The letterforms project confidence and immediacy rather than delicacy or formality.

The design appears aimed at delivering a fast, forceful slab-serif voice—combining a vintage athletic sensibility with sturdy, print-minded construction. The compact shapes, chunky serifs, and subtle corner cut-ins suggest a focus on durability and legibility under strong inking or rough reproduction, while still reading as contemporary and punchy.

The numerals are built with the same dense, squared-off logic as the letters, maintaining a consistent, emphatic color. Lowercase forms have a compact, sturdy stance with short extenders and strong shoulders, keeping line texture tight. The forward slant and heavy terminals create a pronounced directional flow that works best when given room to breathe.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸