Slab Contrasted Komij 2 is a regular weight, wide, low contrast, upright, normal x-height font visually similar to 'Cyntho Next Slab' by Mint Type, 'Tabac Slab' by Suitcase Type Foundry, and 'Kheops' by Tipo Pèpel (names referenced only for comparison).
Keywords: editorial, book text, headlines, branding, packaging, sturdy, vintage, confident, scholarly, readability, heritage tone, strong branding, text emphasis, bracketed serifs, rounded slabs, soft corners, ball terminals, ink-trap feel.
A robust slab-serif with generous proportions and a steady, upright rhythm. Strokes are mostly even, with just enough modulation to keep forms lively, while the serifs read as thick, slightly bracketed slabs with softened corners. Counters are open and round, and many joins (notably in lowercase like a, g, y) show subtle notch-like shaping that adds an ink-trap/engraved impression. Numerals and capitals appear broad and stable, with a compact, text-forward texture rather than a delicate display finish.
Well-suited to editorial design, book and magazine typography, and long-form headings where a sturdy slab presence helps establish hierarchy. It also fits branding and packaging that want a heritage or craft-inflected tone, and can work for signage or labels where clarity and firmness are priorities.
The overall tone is dependable and traditional, with a friendly, slightly old-style warmth. It suggests authority without feeling sharp or austere, evoking book typography, institutional print, and heritage signage. The softened slabs and rounded curves add approachability and a quietly confident voice.
Likely designed to deliver a strong, readable slab-serif voice that remains comfortable in continuous text. The broad proportions, open counters, and softened slab details aim to combine traditional authority with approachable warmth, producing an adaptable style for both editorial and brand-forward applications.
Lowercase details—such as the single-storey a and g, the rounded ear on g, and the ball-like terminals on letters like f and y—contribute to a distinctly editorial, slightly retro character. The uppercase set feels formal and anchoring, while the lowercase brings a more conversational softness, making mixed-case text feel balanced and readable.