Sans Superellipse Abnav 10 is a regular weight, normal width, monoline, upright, normal x-height font visually similar to 'Corelia' by Hurufatfont, 'Cairoli Classic' by Italiantype, 'Sebino Soft' by Nine Font, 'PT Root' by ParaType, 'Frygia' by Stawix, and 'Bockhold' by Stereo Type Haus (names referenced only for comparison).
Keywords: ui design, product design, branding, signage, editorial, clean, modern, neutral, technical, friendly, clarity, neutrality, modernization, system use, geometric consistency, geometric, rounded corners, squared curves, low contrast, open counters.
This typeface is a clean geometric sans with rounded-rectangle construction: curves feel squared-off and superelliptical rather than perfectly circular. Strokes are even with low contrast, terminals are mostly straight or softly rounded, and joins stay crisp, giving the design a tidy, engineered rhythm. The uppercase is simple and balanced, while the lowercase uses single-storey a and g, compact bowls, and open apertures that keep forms clear at text sizes. Numerals are straightforward and tabular-feeling in stance, with smooth curves on 2, 3, 5, and 9 and a clean, unadorned 1.
It suits interface typography, product and tech branding, and general-purpose graphic design where a crisp, modern sans is needed. The steady rhythm and open shapes make it workable for short-to-medium text, while the geometric construction also holds up well in headings, labels, and signage.
The overall tone is contemporary and practical, with a calm neutrality that reads as dependable and matter-of-fact. Rounded corners add a mild friendliness, while the squared curves keep it feeling precise and system-like rather than playful.
The design appears intended as a modern system-friendly sans that pairs geometric discipline with softened corners for approachability. Its consistent stroke behavior and simplified letterforms suggest a focus on clear, scalable rendering across a wide range of sizes.
The face favors clarity over personality: counters remain generous, spacing looks even, and the design avoids exaggerated quirks. The superelliptical geometry is especially noticeable in round letters like O, C, G, and in the bowls of b, p, and d, which read as rounded rectangles rather than circles.