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Free for Commercial Use

Inline Katu 4 is a very bold, wide, medium contrast, upright, normal x-height font visually similar to 'Equip' by Hoftype; 'Avenir Next Arabic', 'Avenir Next Cyrillic', 'Avenir Next Thai', and 'Avenir Next World' by Linotype; and 'Foundry Sans' by The Foundry (names referenced only for comparison).

Keywords: headlines, posters, signage, packaging, branding, playful, retro, marquee, festive, bold, decoration, signage feel, novelty impact, vintage nod, rounded, chunky, inline dots, decorative, high-impact.


Free for commercial use
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A heavy, rounded display face with compact counters and soft terminals. The letterforms are largely monoline in feel, built from thick strokes and simple geometric construction, with subtle width changes from glyph to glyph. Each character is decorated with small interior cut-outs and an inline-like perforation pattern that follows the strokes, creating a textured, sign-like surface while preserving strong overall silhouettes. Uppercase is sturdy and blocky; lowercase is similarly robust with single-storey forms where expected and generous curves that keep the texture readable at larger sizes.

Best suited for short, prominent text such as headlines, posters, storefront-style signage, event graphics, and packaging titles. The decorative cut-outs make it most effective at medium-to-large sizes, where the inline perforation reads clearly and the bold silhouettes maintain strong impact.

The perforated inline detailing evokes marquee lights, vintage signage, and handcrafted cut-paper aesthetics. It reads as upbeat and attention-grabbing, with a slightly whimsical, toy-like warmth rather than a severe industrial tone.

The design appears intended to combine a friendly, chunky sans foundation with an ornamental inline/perforated treatment, delivering instant character for display typography. The consistent interior cut-outs suggest a focus on novelty, themed branding, and showpiece text rather than extended reading.

The interior perforations add visual noise that becomes a key identifying feature; it benefits from ample spacing and benefits most when set where the texture can be appreciated. Round characters (O, C, G, Q, 0) showcase the decoration particularly clearly, while diagonals (V, W, X, Y) emphasize the dotted rhythm along slanted strokes.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸