Sans Superellipse Rymup 2 is a regular weight, normal width, medium contrast, upright, normal x-height font.
Keywords: ui labels, app branding, tech logos, product titling, posters, futuristic, techno, geometric, clean, playful, digital feel, geometric clarity, soft futurism, systematic consistency, rounded, squared, superelliptic, monoline, soft corners.
A geometric sans built from rounded-rectangle and superellipse-like forms, with soft corners and largely monoline strokes. Curves tend to resolve into flat-ish terminals and squared counters, producing a distinctly “soft-square” silhouette in letters like O, D, and U. The rhythm is even and mechanical, with simplified joins and consistent corner radii; diagonals (V, W, X, Y) are crisp but still end in rounded, blunted terminals. Lowercase forms mirror the same geometry, with single-storey a and g and compact, boxy bowls that keep apertures relatively controlled.
This font suits UI headings, navigation labels, and product interfaces where a contemporary, engineered look is desired. It also works well for tech branding, sci‑fi or gaming titles, packaging, and posters that benefit from a geometric, rounded-rect aesthetic, especially at medium to large sizes where the distinctive counters and terminals are most evident.
The overall tone feels futuristic and digital, like interface lettering or sci‑fi titling, but with a friendly softness from the rounded corners. Its superelliptic geometry gives it a modern, engineered personality that reads as orderly, streamlined, and slightly playful rather than austere.
The design appears intended to translate superellipse and rounded-rectangle geometry into a practical sans for modern display and interface contexts, balancing a futuristic, technical voice with softened corners for approachability.
Distinctive details include squared-off inner shapes, rounded-rect counters, and a generally “modular” feel across capitals, lowercase, and figures. Numerals follow the same soft-square logic, with rounded rectangular loops (e.g., 0, 8, 9) and straightforward, technical constructions in angled forms (e.g., 4, 7).