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Free for Commercial Use

Serif Other Ebka 3 is a very bold, narrow, high contrast, upright, tall x-height font visually similar to 'Mad Rascal' by Get Studio (names referenced only for comparison).

Keywords: posters, headlines, packaging, signage, logotypes, victorian, circus, western, eccentric, dramatic, display impact, vintage flavor, attention-grab, ornamental serif, poster voice, flared, bracketed, ink-trap feel, tapered, bulb terminals.


Free for commercial use
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A heavy, compressed serif with strong vertical stress and pronounced thick–thin modulation. Stems are weighty and often slightly waisted, while joins and counters show sculpted, teardrop-like shaping that creates an ink-trap feel in tight interior corners. Serifs are bracketed and flared rather than slabby, with tapered terminals and occasional bulb/teardrop endings that give the letters a carved, poster-like profile. Round letters are narrow and upright, and overall spacing reads tight and compact, amplifying the condensed rhythm in text.

Best suited to large sizes where the sculpted counters, flared serifs, and tapered terminals can be appreciated—posters, headlines, branding marks, and theatrical or heritage-leaning packaging. It can work for short bursts of text (taglines, pull quotes) when a dense, high-impact texture is desired, but its strong personality will dominate long-form reading.

The tone is theatrical and nostalgic, evoking show posters, carnival signage, and late‑19th‑century display typography. Its exaggerated contrast and sculpted details feel confident, playful, and slightly eccentric, making the texture more about personality than neutrality.

The design appears intended as a bold display serif that blends traditional serif construction with ornamental, compressed proportions for maximum impact. Its pinched joins, flared serifs, and lively terminals suggest a goal of creating a vintage show-card voice that remains cohesive across caps, lowercase, and figures.

Uppercase forms appear formal and monumental, while the lowercase introduces more idiosyncratic curves and terminal shapes that increase the decorative flavor in running text. Numerals and the ampersand echo the same pinched contrasts and flared finishing, helping headlines keep a consistent, attention-grabbing color.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸