Sans Superellipse Dumig 3 is a regular weight, normal width, monoline, upright, normal x-height font.
Keywords: ui, app design, signage, headlines, branding, tech, futuristic, clean, precise, minimal, modernization, ui clarity, geometric identity, tech branding, systematic design, rounded corners, squared curves, geometric, modular, open counters.
A geometric sans built from rounded-rectangle and superellipse-like forms, with smooth corners and largely uniform stroke thickness. Curves tend to resolve into squared arcs, giving bowls and counters a soft-rectangular silhouette rather than fully circular rounds. Terminals are clean and mostly horizontal or vertical, and the overall construction feels modular and consistent across capitals, lowercase, and numerals. Proportions are fairly compact with generous internal space; wide letters like M and W expand noticeably while narrower forms stay tight, creating a varied but orderly rhythm in text.
Well-suited to user interfaces, dashboards, and product graphics where clarity and a contemporary geometric look are desirable. It also works for short-to-medium headlines, wayfinding/signage, and tech-leaning branding systems that benefit from rounded-corner geometry and consistent rhythm.
The font reads as modern and engineered, with a calm, utilitarian tone that suggests technology and interface design. Its rounded geometry softens the technical feel, keeping the voice approachable while still looking precise and systematic.
Likely designed to deliver a streamlined, modern sans with superellipse-based forms that feel both technical and friendly. The consistent monoline construction and rounded-rectangular curves suggest an intention to perform reliably in digital contexts while maintaining a distinctive, modular silhouette.
Distinctive details include the squared, rounded-rectangle “O/0” family, a single-storey “a,” and a similarly geometric “g,” all reinforcing the constructed, digital-friendly character. The numerals echo the same rounded-corner logic, and the overall spacing and shapes maintain a consistent, grid-like discipline in longer passages.