Sans Superellipse Dumew 6 is a regular weight, normal width, low contrast, upright, tall x-height font visually similar to 'Cybersport' by Anton Kokoshka, 'Navine' by OneSevenPointFive, and 'Manual' by TypeUnion (names referenced only for comparison).
Keywords: user interfaces, signage, wayfinding, dashboards, packaging, technical, modern, utilitarian, clean, industrial, system design, clarity, consistency, modern utility, technical tone, rounded corners, square-oval, monoline, compact, geometric.
A monoline sans built from rounded-rectangle and squarish-oval geometry, with consistently softened corners and largely uniform stroke thickness. Curves resolve into straight segments quickly, producing boxy counters in forms like O, D, and Q, while joins and terminals stay blunt and neatly radiused. Proportions feel efficient and slightly condensed in places, with a tall, sturdy lowercase and compact apertures; the overall texture is even and controlled across letters and numerals.
This font suits product UI, dashboards, and device screens where a controlled, modern texture and consistent shapes support quick scanning. It also works well for signage and labeling systems, packaging, and technical documentation where a sturdy, squared-rounded aesthetic conveys order and neutrality.
The overall tone is functional and contemporary, with a precise, engineered feel that reads as technical rather than expressive. Rounded corners add approachability while the squared construction keeps it firm and systematic, suggesting a modern UI or industrial labeling voice.
The design appears intended to deliver a clean, contemporary sans with a distinctive rounded-rectangular skeleton that stays highly consistent across the set. It prioritizes systematic construction, even color, and practical legibility for informational and interface-driven typography.
Distinctive superellipse shaping is especially noticeable in bowls and counters, which appear more rectangular than circular. Numerals follow the same squared-rounded construction, maintaining consistency for interfaces and information-heavy settings. The rhythm in text is tight and orderly, favoring clarity and uniformity over calligraphic modulation.