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Free for Commercial Use

Sans Normal Senez 11 is a regular weight, normal width, low contrast, upright, normal x-height font visually similar to 'Hamlin Nova' by Designova; 'Noah' by Fontfabric; 'Acherus Feral', 'Acherus Grotesque', and 'Acherus Militant' by Horizon Type; and 'Mundial Narrow' by TipoType (names referenced only for comparison).

Keywords: ui text, web, brand system, signage, editorial, modern, neutral, friendly, clean, utilitarian, clarity, versatility, contemporary tone, approachability, rounded, geometric, open apertures, even rhythm, monoline.


Free for commercial use
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This is a monoline sans with rounded, geometric construction and smooth curve-to-stem transitions. Strokes are even and unmodulated, with gently softened terminals that keep the shapes friendly without turning overtly bubbly. Uppercase forms are clean and fairly broad, with circular bowls (C, O, Q) and straight-sided counters in letters like D and P; the G is open and simple, and the Q uses a short diagonal tail. The lowercase follows a single‑storey approach where applicable (notably the a), with open apertures in e and s and a compact, functional f and t. Numerals are straightforward and readable, with a balanced 0 and a simple 1, maintaining consistent proportions alongside the text.

It suits interface and product typography, web content, and general-purpose branding where a modern, unobtrusive sans is needed. The open forms and even color also make it a solid choice for wayfinding, labels, and editorial subheads or body text at comfortable sizes.

The overall tone is contemporary and understated, aiming for clarity over personality. Rounded geometry adds a mild warmth, while the steady rhythm and open counters keep it practical and approachable in everyday settings.

The design appears intended as a versatile, contemporary workhorse: geometric enough to feel current, but rounded and open enough to remain friendly and readable across a wide range of applications.

Spacing and sidebearings appear even in the sample text, supporting a calm texture at larger paragraph sizes. Diagonals (V, W, Y, X) are crisp and stable, while the curve-heavy letters maintain consistent roundness, reinforcing a cohesive, system-like feel.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸