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Free for Commercial Use

Sans Normal Okmed 12 is a bold, normal width, low contrast, upright, normal x-height font visually similar to 'Neue Haas Grotesk Display' by Linotype, 'Reyhan' by Plantype, 'TT Commons Classic' by TypeType, and 'Segment' by Typekiln (names referenced only for comparison).

Keywords: headlines, posters, branding, signage, packaging, modern, clean, confident, neutral, tech, clarity, impact, versatility, modernity, geometric, rounded, compact, uniform, sturdy.


Free for commercial use
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This typeface is a heavy, geometric sans with rounded bowls, smooth curves, and a largely uniform stroke weight. Letterforms are compact and efficient, with wide, open counters in round characters (O, C, G, 0) and straight-sided construction where appropriate (H, N, E). Terminals are clean and squared-off, and curves connect crisply into stems with minimal modulation. The lowercase is straightforward and highly legible, with simple single-storey forms and a short, unobtrusive shoulder on r; figures are sturdy and clear, with a plain, readable 1 and rounded 8 and 9.

Well suited to headlines, posters, and short blocks of text where strong presence and fast recognition are needed. It also fits branding systems, packaging, and signage that benefit from a clean geometric voice and sturdy numerals. In UI or product contexts, it works best for prominent labels, navigation, and emphasis rather than long-form reading.

The overall tone is contemporary and pragmatic, leaning toward a no-nonsense, utilitarian voice. Its solid weight and geometric rhythm give it a confident, energetic presence that feels at home in modern branding and interface environments without becoming overly stylized.

The design appears intended as a contemporary, geometric workhorse: strong, clear shapes optimized for impact and legibility. It prioritizes clean construction, consistent rhythm, and a neutral tone that can adapt across commercial and digital applications.

Round forms stay close to circular and maintain consistent inner shapes, giving the face a cohesive, engineered feel. Diagonals (V, W, X, Y) are sharply drawn and stable, while curves (S, G) remain smooth and controlled, supporting clarity at larger display sizes.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸