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Sans Superellipse Utnor 6 is a bold, very wide, low contrast, upright, normal x-height font visually similar to 'Bank Gothic' by Bitstream, 'Morris Sans' by Linotype, and 'Bank Gothic' by ParaType (names referenced only for comparison).

Keywords: headlines, posters, branding, gaming ui, sports graphics, tech, industrial, futuristic, sporty, utilitarian, futurism, impact, clarity, tech aesthetic, squared, rounded corners, compact counters, stencil-like cuts, monoline.


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A heavy, wide sans with a squared–rounded (superelliptic) construction and largely monoline strokes. Curves resolve into broad radii rather than true circles, giving bowls and counters a rounded-rectangle feel (notably in O, D, and 0). Terminals are blunt and consistently softened, while several forms incorporate small rectangular notches or “cuts” that sharpen the geometry and add a machined rhythm. Diagonals are crisp and stable, and spacing feels open enough for large display use while maintaining tight, compact interior counters.

Best suited to headlines, posters, and identity work where a strong, technical voice is desired. It also fits interface titling, gaming or esports graphics, and product/packaging callouts that benefit from wide, machined letterforms. For longer text, it will be most effective at larger sizes where the compact counters and cut details stay clear.

The overall tone is modern and engineered, with a distinctly technical, sci‑fi edge. Its squared curves and cut-in details read as industrial and performance-oriented, suggesting speed, hardware, and digital interfaces rather than friendliness or tradition.

The design appears intended to deliver a bold, contemporary display sans built from rounded-rectilinear geometry, balancing softened corners with precise, cut-in details. The goal seems to be a functional, futuristic look that remains highly legible while projecting a manufactured, high-performance aesthetic.

The figures follow the same rounded-rectangle logic as the capitals, with angular, streamlined shapes that emphasize width and blocky presence. Distinctive glyph details—like squared bowls, clipped joins, and occasional inset cuts—create a consistent “constructed” personality across text and numerals.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸