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Free for Commercial Use

Sans Other Ofdy 3 is a very bold, very narrow, low contrast, upright, tall x-height font visually similar to 'Procerus' by Artegra, 'Filler' by CarnokyType, 'Metro Block' by Ghozai Studio, and 'Tusker Grotesk' by Lewis McGuffie Type (names referenced only for comparison).

Keywords: posters, headlines, branding, packaging, titles, industrial, brutalist, techno, poster, impact, compression, mechanical, display, condensed, blocky, angular, rectilinear, compressed counters.


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A condensed, all-caps–leaning sans with heavy rectangular strokes and sharply angular joins. Letterforms are built from straight verticals and horizontals with minimal curvature, creating tight apertures and compressed counters. Diagonals appear as clipped corners and stepped cuts rather than smooth slants, giving many glyphs a faceted, mechanical finish. The overall rhythm is dense and vertical, with consistent stroke presence and a deliberate, modular construction that reads as display-first.

Best suited to display settings where density and impact are desirable—posters, headlines, title cards, branding marks, and packaging. It can also work for signage-style graphics or UI accents when used sparingly and with generous spacing. For longer passages, larger sizes and increased tracking help preserve letter differentiation.

The tone is forceful and utilitarian, with a stark, machine-made attitude. Its rigid geometry and tight internal spaces evoke industrial labeling, techno poster graphics, and dystopian or arcade-era styling. The feel is assertive and slightly aggressive, prioritizing impact over softness.

The design appears intended to deliver maximum visual weight in a compact footprint, using rectilinear construction and clipped corners to create a distinctive, industrial voice. It emphasizes bold presence, tight set width, and a structured, mechanical silhouette for attention-grabbing typography.

At larger sizes the block structure and cut-in details become distinctive, while the tight counters and compact joins can make similar shapes converge in texture. The sample text shows strong word-image presence and a dark, continuous typographic color, especially in longer lines.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸