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Sans Superellipse Jeze 3 is a very bold, normal width, low contrast, upright, tall x-height font visually similar to 'Judgement' by Device, 'Design System' by Dharma Type, 'Movie Ticket JNL' by Jeff Levine, and 'Acorna' and 'Caviara' by Umka Type (names referenced only for comparison).

Keywords: headlines, logotypes, posters, game ui, packaging, techno, industrial, playful, futuristic, arcade, impact, modernity, tech feel, display clarity, branding, blocky, rounded, geometric, compact, sturdy.


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A heavy, geometric sans built from rounded-rectangle (superellipse-like) forms with squared counters and smoothly radiused corners. Strokes are consistently thick with minimal modulation, producing dense, compact letterforms and strong horizontal/vertical emphasis. Apertures tend to be narrow and counters are mostly rectangular, while terminals are blunt and rounded rather than sharply cut. The lowercase maintains a large x-height and simplified shapes, and the numerals follow the same squared-off, monoline logic for a highly uniform texture in display settings.

Best suited for bold headlines, branding marks, and short bursts of text where strong silhouette and impact matter most. It works well for game-related design, tech or industrial-themed graphics, packaging, and signage-style applications that benefit from a sturdy, geometric presence.

The overall tone feels bold and synthetic, with a distinctly tech-forward, arcade/console flavor. Its chunky, softened geometry reads as assertive and machine-made while still friendly due to the rounded corners. The rhythm is punchy and attention-grabbing, leaning toward headline energy rather than subtle editorial neutrality.

The design appears intended to translate a rounded-rect, modular construction into a confident display sans: high-impact, highly consistent, and easy to recognize at a glance. Its softened corners suggest an effort to balance a mechanical structure with a more approachable, contemporary feel.

Round characters like O, C, and G appear more like softened squares than circles, reinforcing a modular, screen-like aesthetic. Several glyphs use tight interior spaces and compact joins, which increases visual weight and creates a solid, poster-ready silhouette at larger sizes.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸