Sans Normal Tylul 8 is a very bold, wide, medium contrast, upright, normal x-height font visually similar to 'PC Gothic' by BA Graphics, 'City Boys' and 'City Boys Soft' by Dharma Type, 'FS Blake' by Fontsmith, 'Nirand' by Jipatype, 'Sgt Peppers' by K-Type, 'Newbery Sans Pro' by Sudtipos, and 'Indecise' by Tipo Pèpel (names referenced only for comparison).
Keywords: headlines, posters, branding, packaging, signage, bold, friendly, playful, punchy, retro, impact, approachability, display use, brand presence, legibility at distance, blocky, rounded, soft corners, sturdy, compact counters.
A heavy, rounded sans with broad proportions and a compact, tightly packed interior space. Strokes are thick and fairly uniform, with gentle curvature at joins and terminals that keeps the silhouette soft despite the weight. Counters are small and somewhat closed at text sizes, and the shapes favor simple, geometric construction—round bowls, straight stems, and clean, unadorned terminals. Numerals match the letterforms in mass and width, reading as solid, sign-like figures.
Best suited to large-size applications such as headlines, posters, storefront/signage, packaging, and bold branding moments where maximum impact is desired. It can work for short bursts of text (taglines, UI labels, calls to action), but the dense counters and strong color are most effective when used sparingly and with generous spacing.
The overall tone is confident and high-impact, with an approachable, slightly playful feel created by the rounded geometry and chunky proportions. It reads as energetic and attention-grabbing rather than formal, with a subtle retro poster sensibility.
The design appears intended to deliver a robust, easy-to-spot display voice with friendly, rounded geometry—prioritizing presence and immediacy over delicate detail. Its consistent, simplified shapes suggest an aim for clear recognition at a distance and strong graphic personality in layouts.
The font’s weight creates strong word shapes and prominent texture in paragraphs, producing a dense, dark color on the page. Round letters like O/C/G feel especially prominent, while diagonals (V/W/X/Y) stay sturdy and balanced, reinforcing a big, display-forward presence.