Sans Superellipse Sidod 7 is a bold, very narrow, high contrast, upright, normal x-height font.
Keywords: headlines, posters, magazine titles, branding, packaging, editorial, modernist, condensed, authoritative, dramatic, space saving, headline impact, modern styling, geometric clarity, brand presence, vertical stress, crisp terminals, stately, tall caps, tight spacing.
A tall, tightly condensed display face with strong vertical emphasis and pronounced thick–thin modulation. Curves are built from rounded-rectangle geometry, giving bowls and counters a sculpted, superelliptical feel, while straight strokes stay crisp and column-like. The design favors narrow apertures and compact interior spaces, with small, controlled joins and minimal ornamentation; terminals are clean and abrupt rather than flared. Numerals follow the same compressed, high-contrast rhythm, producing a consistent, poster-ready texture across lines.
Best suited for headlines and titling where a compact width and dramatic stroke contrast can create immediate impact. It performs well in magazine mastheads, brand marks, and packaging that benefit from a tall, stylish presence, especially when space is limited horizontally.
The font projects a sharp, editorial confidence—sleek and modern, but with a theatrical, headline-driven intensity. Its narrow build and dramatic contrast create a sense of urgency and sophistication that reads as fashion-forward and metropolitan.
The design appears intended as a condensed display sans with geometric, superelliptical construction and elevated contrast to maximize presence at large sizes. Its proportions and tight rhythm suggest a focus on commanding, space-efficient typography for contemporary editorial and brand environments.
Round letters such as C, O, and Q show smooth, squared-off curvature, reinforcing a geometric voice even in the most organic forms. The overall rhythm is strongly vertical, and the tight sidebearings create a dense, impactful word shape that stands out in short bursts more than in long reading.