Sans Superellipse Abduw 3 is a regular weight, normal width, monoline, upright, normal x-height font visually similar to 'EB Corp' by Eko Bimantara, 'Gilam' by Fontfabric, 'Orgon Plan' by Hoftype, and 'Allotrope' by Kostic (names referenced only for comparison).
Keywords: ui text, product design, editorial, signage, dashboards, clean, modern, neutral, friendly, technical, clarity, versatility, modernization, soft geometry, system design, rounded, soft corners, low contrast, open apertures, geometric.
This sans serif has a clean, geometric construction with gently rounded corners and low contrast strokes. Round letters like C, O, and G read as rounded-rectangle/superellipse shapes rather than perfect circles, giving the design a controlled, contemporary softness. Counters are open and simple, terminals are mostly straight-cut, and curves join stems with smooth, consistent transitions. Lowercase forms are straightforward and legible; the single-storey a and g, compact bowls, and uncluttered joins keep texture even in paragraph settings. Numerals are clear and utilitarian, matching the overall rounded-geometry rhythm.
It suits interface typography, product and brand systems, and information-forward layouts where clarity and a modern, softened geometric voice are desired. It also works well for headings and short paragraphs in editorial or marketing contexts that benefit from a contemporary, accessible sans.
The overall tone is modern and approachable, balancing a technical, UI-minded crispness with softened geometry. It feels neutral and pragmatic rather than expressive, making it easy to pair with more characterful type or imagery.
The font appears intended as a versatile, general-purpose geometric sans with superellipse-like round forms, prioritizing clarity, consistency, and a subtly softened feel. Its restrained detailing suggests it was designed to perform reliably across display and text sizes without drawing attention to itself.
The design’s rounded-rectangle geometry is especially noticeable in the uppercase and numerals, where corners soften without becoming fully “bubble” or playful. Spacing appears generous enough for clarity, supporting a steady, calm typographic color in running text.