Sans Superellipse Abmuw 3 is a regular weight, normal width, low contrast, upright, normal x-height font visually similar to 'PODIUM Sharp' by Machalski; 'Navine', 'Revx Neue', and 'Revx Neue Rounded' by OneSevenPointFive; and 'Breuer Text' by TypeTrust (names referenced only for comparison).
Keywords: ui design, product design, signage, editorial, data display, modern, technical, neutral, clean, systemic, ui clarity, geometric consistency, modern neutrality, friendly precision, rounded corners, squared rounds, soft terminals, compact forms, open apertures.
A clean sans with a squared-round (superellipse-like) construction: curves resolve into rounded rectangles, and corners are consistently softened rather than fully circular. Strokes are monolinear with minimal modulation, and the overall geometry feels engineered and grid-friendly. Uppercase forms are compact and sturdy, with broad horizontals and clear, open counters; the lowercase follows with simple, utilitarian shapes and short, even terminals. Numerals keep the same squared-round logic, with a distinctly rectangular feel in bowls and smooth, controlled joins.
Works well for interface typography, dashboards, and product branding where clarity and a contemporary, geometric tone are desired. It’s also suitable for wayfinding and signage thanks to its sturdy shapes and clear counters, and it can serve as a neutral editorial sans for headings and short passages.
The tone is contemporary and pragmatic—more functional than expressive—suggesting a reliable, interface-minded voice. Rounded corners add approachability, but the controlled geometry keeps it firmly in a technical, modern register.
The design appears intended to blend modern neutrality with a distinctive squared-round geometry, offering a friendly but precise sans for digital-first contexts. The consistent rounding and monoline strokes suggest a focus on predictability, legibility, and a cohesive system aesthetic.
Across the set, the consistent rounding and straight-sided curves create a cohesive rhythm, especially in letters with bowls and in the numerals. The design reads well at text sizes while also scaling cleanly for UI labels and headings where its geometric character becomes more apparent.