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Sans Superellipse Jary 6 is a very bold, normal width, low contrast, upright, tall x-height font visually similar to 'Ramsey' by Associated Typographics, 'Jazz Gothic' by Canada Type, 'Blunt' by Miller Type Foundry, 'Cimo' by Monotype, and 'Desta' by Stefano Giliberti (names referenced only for comparison).

Keywords: posters, headlines, sports branding, packaging, logotypes, industrial, assertive, sporty, techy, retro, high impact, geometric branding, compact headlines, display clarity, blocky, rounded, compact, bulky, geometric.


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A heavy, block-like sans with rounded-rectangle construction and consistently softened corners. Strokes are thick and uniform, with squared-off terminals and small, angular ink traps or notches appearing in several joins and counters, giving the forms a cut, machined feel. Curves in letters like C, O, and S read as superelliptical rather than truly circular, and the counters are tight and rectangular, increasing density. Lowercase forms are sturdy and compact with a tall x-height, short ascenders, and minimal stroke modulation; numerals follow the same squared, rounded geometry for a cohesive texture.

Best suited to short, high-impact settings such as headlines, posters, sports or team branding, and bold packaging callouts. It can also work for compact logotypes and badges where its squared, rounded geometry and dense texture read as intentional design features.

The overall tone is loud and confident, combining a utilitarian, engineered presence with a slightly retro display energy. Its dense shapes and clipped details feel athletic and industrial, suited to messages that need to hit hard and fast rather than read delicately.

The design appears intended as a punchy display sans that merges rounded-rectangle geometry with machined cut-ins to maintain character at extreme weight. Its tall x-height and compact lowercase suggest a focus on maximizing presence and legibility in tight headline layouts while keeping a consistent, industrial rhythm.

In text, the font creates a dark, continuous typographic color with relatively narrow internal spaces, which boosts impact but can reduce clarity at smaller sizes. The distinctive notches and tight counters become a key identifying detail at display sizes, where the geometric rhythm is most apparent.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸