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Free for Commercial Use

Wacky Gunon 3 is a very bold, very narrow, low contrast, italic, tall x-height font visually similar to 'Karepe FX' by Differentialtype, 'Aureola' by OneSevenPointFive, and 'Hornsea FC' by Studio Fat Cat (names referenced only for comparison).

Keywords: headlines, posters, logotypes, sports branding, packaging, energetic, retro, punchy, playful, assertive, high impact, space saving, motion, distinctiveness, headline focus, condensed, slanted, blocky, angular, soft corners.


Free for commercial use
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A condensed, heavily slanted display face with chunky, low-contrast strokes and tightly packed counters. Letterforms are built from sturdy, mostly straight-sided shapes with occasional wedge-like terminals and subtly rounded corners that keep the mass from feeling sharp. The rhythm is fast and forward-leaning, with compact spacing and tall lowercase proportions that create a continuous, vertical drive in words and lines of text. Numerals and capitals share the same dense, athletic silhouette, keeping the overall texture consistent and bold on the page.

Best suited for headlines, posters, and splashy editorial callouts where a compact, high-energy voice is needed. It also works well for logos, event graphics, and packaging that benefits from a bold, retro-leaning slant and a distinctive, slightly eccentric presence.

The tone is high-impact and kinetic, with a quirky, attention-grabbing personality that reads as both retro and slightly offbeat. Its compressed stance and pronounced slant give it a sense of speed and showmanship, while the chunky construction adds a confident, poster-like punch.

The letterforms appear designed to maximize impact in narrow spaces while projecting motion and attitude. Its consistent, heavy construction and stylized terminals suggest an intention to stand out in display settings with a memorable, characterful silhouette.

The design’s narrow set and strong diagonal stress make it feel most at home at larger sizes, where the inner shapes and distinctive terminals stay clear. In longer passages the tight counters can darken the overall color, so it benefits from generous line spacing and thoughtful tracking when used for multi-line headlines.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸