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Free for Commercial Use

Serif Flared Ukwa 10 is a bold, narrow, low contrast, italic, normal x-height font visually similar to 'Vito' by Dots&Stripes Type and 'Amsi Grotesk' by Stawix (names referenced only for comparison).

Keywords: headlines, posters, packaging, sports branding, mastheads, assertive, vintage, editorial, dramatic, sporty, display impact, heritage tone, compact set, headline economy, flared, bracketed serifs, wedge serifs, ink-trap hints, sheared terminals.


Free for commercial use
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This typeface is a compact, right-leaning serif with sturdy, low-contrast strokes and a distinctly flared finish to many stems. Serifs read as wedge-like and lightly bracketed, with a carved, tapering quality at joins and terminals that gives the contours a slightly chiseled feel. Counters are relatively tight and oval, and the rhythm is energetic due to the italic slant and strong, unified stroke weight. Uppercase forms are broad-shouldered and forceful, while lowercase shows firm arches and a crisp, mechanical cadence rather than a calligraphic one.

It performs best in short-form, high-impact settings such as headlines, posters, mastheads, and packaging where its compact width and flared serif details can add character without relying on delicate contrast. It can also work for branding and sports or event graphics that benefit from a condensed, fast-leaning voice.

The overall tone is bold and old-school, combining a classic editorial seriousness with a punchy, poster-like immediacy. It suggests heritage and authority, but with enough speed and slant to feel active and headline-driven. The look leans toward Americana and vintage display typography rather than quiet, bookish refinement.

The design appears intended to deliver a dense, attention-grabbing italic serif with a vintage, carved-edge flavor—combining sturdy construction with flared endings to maintain presence at display sizes while keeping a tight, economical footprint.

The numerals are heavy and emphatic, with a strong baseline presence suited to pricing and numbering in display contexts. The italic construction feels consistent across cases, producing a coherent forward motion in words and a distinctly condensed texture in paragraphs.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸