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Free for Commercial Use

Distressed Kydi 6 is a very bold, normal width, low contrast, upright, tall x-height font visually similar to 'Applied Sans' by Monotype, 'Pragmatica' by ParaType, and 'TT Commons™️ Pro' by TypeType (names referenced only for comparison).

Keywords: posters, album covers, packaging, headlines, labels, grunge, handmade, retro, playful, raw, add texture, evoke printwear, signal handmade, increase impact, create grit, roughened, blotchy, inked, chunky, textured.


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A chunky, heavy display face with irregular, eroded contours that mimic worn stamping or saturated ink on rough paper. Strokes are broadly monoline with minimal contrast, but edges wobble and break subtly, creating a mottled silhouette and occasional interior nicks. Counters are generally open and rounded-rectilinear, and the overall construction stays fairly upright and straightforward while allowing uneven terminals and slightly inconsistent widths to drive texture. Lowercase forms appear compact and robust with short extenders, and numerals share the same distressed, blocky presence.

Best suited to posters, event graphics, album or book covers, packaging, and branding elements that benefit from a stamped or worn-print aesthetic. It works well for short headlines, badges, and punchy pull quotes where its texture adds personality; for longer copy it will be most effective at larger sizes with generous spacing.

The font conveys a gritty, handmade character that feels analog and imperfect, with a casual confidence. Its rough texture reads as vintage and tactile—suggesting DIY printmaking, punk flyers, or weathered signage—while the rounded block shapes keep it approachable and slightly playful.

Likely designed to deliver a bold, attention-grabbing display voice with convincing physical texture, as if printed by hand or through a distressed process. The goal appears to balance strong, simple letterforms with surface irregularities to create an immediate, tactile theme without relying on slant or contrast.

The distressing is consistent across the set, so the texture becomes part of the rhythm at text sizes; in longer passages the rough edges create a dark, lively color. The bold massing favors short headlines and emphatic labels where the worn contour can be appreciated without compromising clarity.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸