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Free for Commercial Use

Distressed Kyby 3 is a very bold, normal width, medium contrast, upright, normal x-height font visually similar to 'Blocksta' by AVP, 'Myriad' by Adobe, 'Whitney' by Hoefler & Co., and 'Avenir Next Paneuropean' by Linotype (names referenced only for comparison).

Keywords: posters, headlines, packaging, album covers, logos, grunge, vintage, rugged, handmade, industrial, add texture, evoke print, create grit, signal retro, rough edges, inked, blotchy, stamped, textured.


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A heavy, blocky sans with compact proportions and irregular, eroded contours. Strokes are thick and mostly monoline in feel, but the perimeter is consistently roughened, producing a speckled, worn silhouette that suggests ink bleed or distressed printing. Counters stay relatively open for a distressed face, while terminals and joins look slightly chewed-up and uneven, giving each glyph a subtly unique footprint. Overall spacing reads steady in text, with small width fluctuations that reinforce the handmade, imperfect rhythm.

Well-suited to display applications where texture is part of the message: posters, event graphics, album artwork, apparel prints, and rugged brand marks. It can also work for short bursts of copy—taglines, labels, pull quotes—when a distressed, tactile feel is desired over pristine readability.

The texture and dense color convey a gritty, analog tone—like stamped signage, screen-printed posters, or typewriter-ink gone rough. It feels utilitarian and tough rather than refined, with a nostalgic, workshop/warehouse character that leans into imperfect production.

Likely designed to deliver a bold, high-impact voice with built-in wear and print artifacts, evoking stamped or weathered lettering while keeping forms simple and legible. The goal appears to be instant character and texture without requiring additional effects or overlays.

The distressing is applied broadly across the alphabet and figures, creating consistent texture without collapsing letterforms. The font retains strong presence at display sizes, while the rough perimeter becomes a defining visual element that will be more noticeable as size increases.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸