Font Hero

Free for Commercial Use

Sans Superellipse Hinih 11 is a very bold, narrow, low contrast, upright, normal x-height font visually similar to 'Myriad' by Adobe, 'Futura Now' by Monotype, 'Sans Beam' by Stawix, and 'Earthboy' by Supfonts (names referenced only for comparison).

Keywords: headlines, posters, packaging, signage, sports branding, confident, industrial, compact, punchy, functional, space saving, high impact, clear signage, brand presence, display emphasis, blocky, rounded, condensed, sturdy, clean.


Free for commercial use
Customize the font name

A compact, heavy sans with squared-off proportions softened by rounded corners and smooth curves. Strokes are consistently thick and even, with tight apertures and small counters that emphasize a dense, ink-trap-free silhouette. Curved letters lean toward rounded-rectangle construction, while terminals are generally blunt and straightforward, creating a strong vertical rhythm. The lowercase keeps a measured, workmanlike structure with a single-storey “a,” a simple “g,” and short, sturdy joins; numerals are similarly compact and bold, built for impact.

Best suited to headlines, posters, and bold promotional copy where compact width and heavy color help maximize impact. It also fits packaging, labels, and signage that benefit from strong, simplified letterforms, and can work well for sports or event branding where a sturdy, condensed voice is desirable.

The overall tone is assertive and no-nonsense, with an industrial, sign-painting-adjacent solidity. Its condensed heft reads energetic and utilitarian rather than delicate, projecting clarity, strength, and immediacy in short messages.

The design appears intended to deliver maximum visual weight in limited horizontal space, using rounded-rectangle construction to keep the forms friendly while maintaining a tough, functional stance. It prioritizes immediate legibility and brand presence over delicate detail, making it a practical display workhorse.

In text settings, the dense counters and tight apertures increase the feeling of mass and can reduce clarity at smaller sizes, while larger sizes showcase the crisp rounded-rectangle geometry. The capitals and numerals carry especially strong presence, making the typeface feel headline-forward and poster-ready.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸