Sans Superellipse Umme 1 is a very bold, very wide, monoline, upright, normal x-height font.
Keywords: headlines, logotypes, posters, gaming, sports branding, futuristic, tech, industrial, sporty, sci‑fi, tech styling, high impact, modular geometry, brand presence, rounded corners, squared bowls, compact apertures, closed forms, stencil-like cuts.
A heavy, geometric sans built from squared-off curves and rounded-rectangle counters. Strokes are uniform with smooth, radiused corners, producing boxy bowls (O, D, P) and clipped, mechanical joins. Apertures tend to be tight and counters compact, giving the face a dense, high-contrast silhouette against the background. The lowercase follows the same superelliptical logic, with single-storey a and g, short extenders, and a pragmatic, engineered rhythm. Numerals echo the same rounded-rect geometry and segmented cuts, keeping a consistent modular feel.
Best suited to large sizes where its rounded-rect detailing and dense counters remain clear—headlines, posters, esports/gaming graphics, sports branding, and tech-forward packaging. It can also work for short UI labels or product naming where a strong, engineered voice is desired, but the compact apertures make it less ideal for long text at small sizes.
The overall tone is assertive and machine-forward, with a distinctly futuristic, display-oriented attitude. Its squared curves and tight counters suggest electronics, motorsport, and industrial UI styling rather than humanist warmth. The uniform stroke and engineered detailing convey control, precision, and impact.
The design appears intended to deliver a bold, contemporary display voice by combining superelliptical geometry with tight counters and subtle cut details. It emphasizes impact and a futuristic, industrial character while maintaining consistent, modular construction across letters and figures.
Several glyphs incorporate small breaks and inset terminals that read as functional cutouts, adding a techno flavor while keeping forms largely closed and compact. The combination of wide proportions and tight internal space makes word shapes feel blocky and powerful, especially in uppercase and headline settings.