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Stencil Gyny 1 is a bold, narrow, monoline, upright, tall x-height font visually similar to 'Akhand Bengali' and 'Akhand Devanagari' by Indian Type Foundry, 'Kuunari' and 'Kuunari Rounded' by Melvastype, and 'Ordax' by The Northern Block (names referenced only for comparison).

Keywords: posters, headlines, signage, labels, packaging, industrial, military, mechanical, utilitarian, authoritative, stencil clarity, space saving, graphic impact, industrial voice, angular, condensed, high-contrast cuts, hard-edged, geometric.


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A condensed, all-caps-forward stencil with tall proportions and emphatically vertical stems. Letterforms are built from straight, monoline strokes with crisp, chamfered corners and consistent cut-ins that create the stencil bridges. Curves are minimized and often faceted (notably in C, G, O/Q), while counters are tight and rectangularized, producing a rigid, engineered rhythm. Numerals follow the same chiseled, segmented construction, keeping a uniform, sign-like texture in lines of text.

Best suited to display work where the stencil construction is meant to be seen—posters, title treatments, product labeling, wayfinding, and industrial-themed packaging. It can also serve short UI labels or badges when a tough, technical voice is desired, while extended reading will appear dense due to the condensed width and repeated stencil breaks.

The overall tone is industrial and directive, evoking labeled equipment, shipping marks, and regulated environments. Its sharp geometry and repetitive stencil breaks feel mechanical and disciplined rather than expressive or casual, giving headlines a firm, no-nonsense presence.

The design appears intended to deliver an unmistakable stencil identity with a compact, space-efficient silhouette. By combining strict verticality, angular terminals, and consistent bridging, it aims for a robust, manufacturing-inspired look that remains highly graphic in all-caps and mixed-case settings.

The stencil gaps are prominent and frequent, creating a distinctive vertical striping in longer passages and boosting recognition at display sizes. Diagonals (A, V, W, X, Y) are narrow and steep, reinforcing the compressed footprint and adding a slightly architectural feel to word shapes.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸