Sans Faceted Nyba 4 is a bold, narrow, monoline, upright, normal x-height font visually similar to 'Cream Opera' by Factory738, 'Brainy Variable Sans' by Maculinc, 'Posterman' by Mans Greback, and 'Buyan' by Yu Type (names referenced only for comparison).
Keywords: headlines, posters, sports branding, packaging, signage, industrial, athletic, retro, mechanical, assertive, compact impact, hard-edged geometry, industrial labeling, display emphasis, octagonal, chamfered, condensed, stencil-like, high-contrast counters.
A condensed, heavy sans built from straight strokes and clipped corners, replacing curves with octagonal facets. Stroke weight stays consistent, with squared terminals and frequent chamfers that create a hard, engineered rhythm. Apertures are tight and counters are compact, giving letters a dense, vertical stance; diagonal forms (A, V, W, X, Y) feel sharply cut rather than drawn. Numerals follow the same faceted logic, reading like simplified display figures with firm, blocky silhouettes.
Best suited to display settings such as headlines, posters, team or event branding, and bold packaging callouts where a compact width helps fit more characters per line. It also works well for signage and labels that benefit from a rigid, machined look, especially in high-contrast black-on-white applications.
The overall tone is tough and utilitarian, evoking industrial labeling and scoreboard or jersey lettering. Its sharp geometry and tight spacing feel energetic and no-nonsense, with a slightly retro, arcade/tech flavor.
The font appears designed to deliver maximum impact in a narrow footprint, using faceted construction to add character and a technical edge while keeping forms simple and robust. The consistent chamfering suggests an intention to feel manufactured and durable, like lettering cut from metal or formed from modular blocks.
The design maintains a consistent angular language across caps, lowercase, and figures, with occasional notch-like cuts that hint at stencil construction without fully breaking strokes. Readability is strongest at medium-to-large sizes where the faceting becomes a deliberate texture rather than visual noise.