Sans Superellipse Ibrar 5 is a very bold, normal width, low contrast, upright, normal x-height font visually similar to 'Racon' by Ahmet Altun, 'Cybersport' by Anton Kokoshka, 'LHF Advertisers Square' by Letterhead Fonts, 'Navine' by OneSevenPointFive, 'PT Filter' by Paavola Type Studio, and 'Winner Sans' by sportsfonts (names referenced only for comparison).
Keywords: headlines, posters, sports branding, packaging, signage, industrial, athletic, assertive, mechanical, retro, impact, sturdiness, clarity, modern utility, brand presence, blocky, rounded corners, square-shouldered, compact, high impact.
A heavy, block-built sans with squared proportions softened by consistently rounded corners. Curves and counters are drawn as rounded-rectangle forms, giving letters like O, D, and Q a superelliptical feel, while straight-sided glyphs (E, F, H, N) keep a rigid, engineered rhythm. Terminals are blunt, joins are sturdy, and interior apertures tend to be compact, producing dense color and strong silhouette legibility. Numerals follow the same rounded-rect geometry with wide, stable bases and minimal modulation.
Best suited for headlines, titles, and short blocks of copy where high impact is desired. It fits sports and team branding, bold packaging, labels, wayfinding, and promotional graphics where a sturdy, engineered sans can carry at a distance.
The overall tone is tough and utilitarian, with a sporty, signage-like confidence. Its rounded corners keep the voice friendly enough to avoid harshness, but the mass and squared structure read as industrial and emphatic.
The design appears intended to deliver maximum visual weight with a clean, modern construction, using rounded-rectangle geometry to balance toughness with approachability. It prioritizes strong silhouettes and uniform rhythm for display-driven typography.
Round letters are notably squarish, and many forms favor closed or nearly closed apertures, which strengthens impact at display sizes but can tighten readability in long text. The uppercase set feels especially uniform and poster-ready, while the lowercase keeps the same chunky construction for consistent texture across mixed-case settings.