Sans Superellipse Ibray 4 is a very bold, normal width, low contrast, upright, normal x-height font visually similar to 'Miura' by DSType, 'FS Industrie' by Fontsmith, 'Azbuka' and 'Prelo Condensed' by Monotype, 'Core Sans M' by S-Core, and 'Probeta' by deFharo (names referenced only for comparison).
Keywords: headlines, posters, packaging, signage, sports branding, bold, assertive, industrial, sporty, modern, impact, clarity, modernity, approachability, blocky, rounded, compact, sturdy, punchy.
A heavy, compact sans with rounded-rectangle construction and broadly squared curves. Strokes are thick and even, with minimal modulation and a relatively tight internal counter space in letters like B, P, and e. Corners and terminals are consistently softened, keeping the overall silhouette smooth despite the blocky geometry. Uppercase forms are broad and stable with simplified joins; lowercase is similarly robust with short ascenders/descenders and single-storey a and g.
Best suited to display settings where bold silhouettes and compact spacing help hold attention—headlines, posters, short UI labels, and signage. It can also work well on packaging and branding that calls for a sturdy, modern voice, especially where simple geometric letterforms need to reproduce cleanly.
The tone is forceful and straightforward, pairing a friendly rounded finish with a strong, poster-like mass. It reads as contemporary and utilitarian, with a sporty, industrial confidence that suits attention-grabbing messaging. The uniform weight and compact counters add urgency and impact rather than delicacy.
The letterforms appear designed to maximize visual impact through thick, uniform strokes and rounded-rectangle geometry, creating a sturdy, contemporary sans that remains approachable. Its simplified shapes and consistent corner treatment suggest an emphasis on strong branding and high-visibility display typography.
The design favors large, simple shapes and clear rhythm, with numerals that match the same squared-round logic (notably the rounded 0 and the sturdy 1). Apertures are somewhat closed (e.g., c, s), and the overall density is high, which strengthens presence at display sizes but can reduce clarity in small text or long passages.