Print Fonek 3 is a very bold, very narrow, medium contrast, upright, tall x-height font visually similar to 'Dharma Gothic', 'Dharma Gothic P', and 'Dharma Gothic Rounded' by Dharma Type; 'POLIGRA' by Machalski; and 'Kuunari' and 'Kuunari Rounded' by Melvastype (names referenced only for comparison).
Keywords: posters, headlines, branding, packaging, signage, rugged, western, grunge, playful, hand-cut, impact, vintage feel, handmade texture, signage look, rough-edged, blocky, distressed, condensed, inked.
A condensed, heavy display face with tall proportions and compact counters. The letterforms are built from chunky, mostly straight-sided strokes, but the outlines are intentionally irregular, with nicks, notches, and slightly wavy edges that mimic hand-cut or stamped shapes. Terminals often end in blunt slabs or small wedge-like flares, and the overall rhythm is tight and vertical, creating strong color in headlines. Despite the rough texture, the glyph set stays fairly consistent in width and structure, keeping words readable at larger sizes.
Best suited for short, high-impact text such as posters, event titles, product labels, and display headlines where the rough texture can read clearly. It can also work for themed signage or logos that want a handcrafted, weathered feel, but it is less appropriate for long passages or small UI sizes due to its dense forms and distressed detailing.
The font conveys a gritty, spirited tone—somewhere between old poster lettering and rough-hewn signage. Its distressed edges add attitude and energy, suggesting DIY craft, frontier theatrics, or worn print ephemera rather than polished corporate typography.
The design appears intended to deliver a bold, attention-grabbing display look that feels handmade and worn-in, pairing condensed proportions with deliberately imperfect edges to evoke stamped/printed craft and vintage sign aesthetics.
The irregular contouring is baked into the silhouettes (not just added noise), so the texture remains visible even in solid black rendering. Numerals and capitals follow the same condensed, blocky construction, giving mixed content a unified, poster-like presence.