Sans Superellipse Redor 11 is a light, normal width, monoline, upright, normal x-height font.
Keywords: ui, app design, branding, signage, headlines, modern, friendly, minimal, neutral, tech, clarity, simplicity, clean ui, modern branding, versatility, geometric, rounded corners, soft terminals, open counters, clean rhythm.
The design is a geometric sans with a pronounced rounded-rectangle (superellipse) logic in curves and counters. Strokes are consistently even, with smooth joins and gently squared terminals that echo the overall rounded geometry. Uppercase forms are clear and open, while lowercase shows a single-storey “a” and “g,” contributing to a simplified, modern rhythm. Numerals follow the same rounded geometry, with a clean, minimal “1” and open, evenly proportioned bowls across “0,” “6,” “8,” and “9.”
It suits user interfaces, dashboards, product branding, and contemporary identity systems where a clean, approachable sans is needed. It works well for headings, labels, navigation, and short-to-medium text in digital layouts, and can also serve in print for minimalist editorial elements, signage, and packaging where a modern, softened geometry is desirable.
This typeface feels clean and composed, with a contemporary, functional tone. Its rounded construction softens the voice, giving it an approachable, friendly demeanor without becoming playful or quirky. Overall it reads as calm, modern, and quietly confident.
The font appears designed to deliver straightforward readability with a cohesive geometric system, using rounded-square curves to create a distinctive but restrained identity. It prioritizes even texture and predictable letterforms for clear scanning in interface and display contexts. The simplified lowercase structure suggests an emphasis on contemporary usability and visual consistency.
Round forms such as C, G, O, and Q lean toward squarish curves rather than true circles, producing a recognizable “rounded-rectangle” silhouette. The overall spacing and proportions create an even, orderly texture, and the punctuation and diacritics shown (e.g., dots and apostrophe) match the same clean, minimal construction.