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Free for Commercial Use

Sans Superellipse Isse 16 is a very bold, wide, medium contrast, upright, tall x-height font.

Keywords: posters, headlines, sports branding, packaging, merchandise, industrial, athletic, retro, assertive, playful, high impact, brandable, headline focus, retro sport, signage feel, blocky, rounded, compact, soft corners, stencil-like counters.


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This typeface uses heavy, squared letterforms with generously rounded corners and broadly superelliptical curves, producing a compact, “carved block” silhouette. Strokes are largely uniform, with angular joins softened by radius corners rather than true geometric circles. Counters tend to be small and rectangular, often reading as cut-out slots; several glyphs show deliberate notches and simplified apertures that reinforce a machined, display-oriented construction. Terminals are blunt and flat, spacing is tight, and the overall rhythm is dense and punchy, emphasizing solid black shape over interior detail.

It works best for large-scale display typography such as posters, headlines, event graphics, and bold brand marks where its compact shapes and cut-out counters can read clearly. The sturdy construction also suits sports branding, packaging fronts, and merchandise graphics that need high-impact, high-ink coverage letterforms.

The tone is bold and confident, with a sporty, poster-ready presence that recalls retro athletic lettering and industrial signage. Rounded corners keep the impact from feeling harsh, adding a slightly playful, game-like character while maintaining a tough, utilitarian voice.

The likely intention is a high-impact display sans built from rounded rectangles, prioritizing strong silhouette, compact spacing, and a distinctive cut-out counter treatment for instant recognizability. It appears designed to convey energy and toughness while retaining friendliness through softened corners.

The design leans on negative-space “window” cuts (notably in rounded letters and some numerals), which creates a distinctive stencil-like flavor at larger sizes but can reduce counter clarity in small settings. Uppercase forms feel especially uniform and monumental, while lowercase keeps the same block construction for a cohesive, headline-first texture.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸