Print Itlov 4 is a bold, normal width, low contrast, upright, normal x-height font visually similar to '210 Gulim' by Design210, Korean Fonts (names referenced only for comparison).
Keywords: kids branding, posters, packaging, stickers, headlines, playful, friendly, cartoony, casual, childlike, handmade warmth, approachability, fun display, casual emphasis, rounded, blobby, soft terminals, monoline-ish, uneven rhythm.
A chunky, rounded display face with blobby contours and softened terminals that mimic marker or brush lettering. Strokes stay largely even with low contrast, and curves dominate the construction, producing wide bowls and generously rounded corners. Proportions vary from glyph to glyph, with slightly irregular widths and a hand-drawn rhythm that keeps the texture lively; counters are compact and often asymmetrical, reinforcing the informal feel. The lowercase is simple and approachable, while capitals remain similarly soft and bulbous, maintaining consistent weight and color across the set.
Well-suited to playful headlines, children’s materials, casual branding, and packaging where a friendly handmade voice is desired. It works especially well for posters, stickers, labels, and short punchy phrases where its chunky shapes and bouncy rhythm can be appreciated at larger sizes.
The overall tone is cheerful and informal, with a lighthearted, cartoon-like friendliness. Its bouncy rhythm and soft shapes feel approachable and youthful, suggesting fun, spontaneity, and a handmade sensibility rather than precision or formality.
The design appears intended to capture the charm of hand-drawn print lettering with a bold, rounded silhouette that stays consistent and easy to read. Its softened corners and slightly irregular proportions prioritize warmth and personality over typographic strictness, aiming for an inviting display voice.
The numerals and uppercase forms share the same rounded, heavy silhouette, creating strong spot color at larger sizes. The design’s intentionally uneven details (slight wobble, varied widths, and organic joins) read clearly in short phrases and titles, but can feel dense in longer passages due to the heavy fill and small counters.