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Sans Contrasted Fyke 1 is a very bold, very wide, medium contrast, italic, tall x-height font visually similar to 'Maximum' by Device, '1312 Sugoi' by Ezequiel Filoni, 'Hubba' by Green Type, 'Fierd' by Locomotype, 'Muscle' by Positype, and 'Kreak Display' by Tebaltipis Studio (names referenced only for comparison).

Keywords: sports branding, racing graphics, poster titles, gaming ui, esports logos, sporty, futuristic, aggressive, energetic, industrial, impact, speed, tech aesthetic, branding, oblique, rounded corners, ink traps, tight apertures, slanted terminals.


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A heavy, oblique sans with broad proportions and compact counters. Strokes are thick with subtle modulation, and many joins show small cut-ins that read like ink traps or engineered notches. Corners are largely rounded or chamfered, while terminals are squared-off and slanted, reinforcing a forward-leaning, aerodynamic silhouette. The x-height appears high, with short ascenders/descenders, and the overall rhythm is dense and blocky, optimized for impact rather than delicate detail.

Best suited to display settings where a forceful, fast look is desirable—sports identities, racing or automotive graphics, gaming/esports treatments, and bold poster headlines. It will also work for short UI labels or interface-style typography when used at generous sizes and with ample spacing to preserve its tight counters.

The design communicates speed and force, with a distinctly mechanical, performance-oriented tone. Its notched joints and streamlined slant evoke motorsport graphics, sci‑fi interfaces, and high-intensity branding. The overall impression is bold and assertive, leaning toward a tactical/industrial mood.

The font appears designed to deliver maximum visual impact with a streamlined, speed-forward oblique structure. The engineered notches and rounded block geometry suggest an intention to remain legible in bold, high-energy applications while projecting a technical, performance aesthetic.

The forms prioritize strong silhouettes and consistent forward motion; interior spaces are relatively tight, and letterfit appears compact in the sample text. Numerals and capitals share the same angular, engineered language, helping headings and short bursts of copy feel cohesive and punchy.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸