Font Hero

Free for Commercial Use

Sans Contrasted Fyke 4 is a very bold, very wide, medium contrast, italic, tall x-height font visually similar to 'Hubba' by Green Type and 'Kreak Display' by Tebaltipis Studio (names referenced only for comparison).

Keywords: sports branding, gaming titles, racing graphics, posters, headlines, futuristic, sporty, aggressive, techno, industrial, impact, speed, sci-fi, performance, edge, oblique, blocky, chamfered, angular, compressed counters.


Free for commercial use
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A heavy, oblique sans with a low, aerodynamic stance and squared, chamfered corners throughout. Letterforms are built from broad, geometric strokes with tight apertures and compact internal counters; many glyphs include sharp notches and horizontal incisions that create a segmented, engineered feel. Curves are minimized and squared-off, while terminals often end in clipped angles, producing a consistent forward-leaning rhythm across uppercase, lowercase, and numerals. The overall silhouette reads as modular and machine-cut, with strong black shapes and small, strategically placed openings for differentiation.

Best suited for bold display typography such as sports and esports branding, game titles, racing-themed graphics, tech-forward posters, and punchy headlines. It can also work for short subheads or UI hero moments where a fast, industrial tone is desired, but it is less appropriate for long-form reading due to its dense counters and aggressive detailing.

The font conveys speed and impact, with a distinctly mechanical, sci‑fi edge. Its slanted, chunky construction suggests motion, power, and competitiveness, making it feel at home in high-energy or performance-driven contexts.

The design appears intended to deliver an assertive, speed-focused voice through oblique geometry, chamfered corners, and engineered cut-ins that evoke machinery and motion. Its consistent modular construction prioritizes immediate visual impact and a futuristic, performance-oriented personality in prominent settings.

The narrow counters and slit-like openings favor display sizes, where the angular details and internal cuts remain clear. Numerals and capitals share the same blocky, chamfered logic, keeping headlines visually cohesive; lowercase forms echo the same segmented construction for a unified texture in short lines.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸