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Free for Commercial Use

Sans Superellipse Subo 3 is a very bold, very narrow, medium contrast, upright, short x-height font.

Keywords: headlines, posters, branding, packaging, signage, industrial, compressed, authoritative, retro, poster-like, space saving, impactful display, signage clarity, retro poster tone, tall caps, rounded corners, blocky, condensed, high impact.


Free for commercial use
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A tightly compressed sans with tall, columnar proportions and heavy vertical emphasis. Strokes are sturdy with subtly softened corners, and curves resolve into rounded-rectangle shapes rather than true circles, giving bowls and counters a squared-off, superelliptical feel. Terminals are mostly blunt and clean, and the overall rhythm is compact and even, producing strong, dark word shapes at display sizes. Numerals and capitals follow the same narrow, upright construction for a consistent, stacked silhouette.

Best suited for headlines, posters, and branding where a compact, high-impact voice is needed. It works well in labels, packaging, and signage systems that benefit from strong vertical rhythm and space-efficient wording. In longer text, it’s most effective for short bursts—subheads, pull quotes, and emphatic UI labels—rather than extended reading.

The overall tone is bold and utilitarian, with a slightly retro, headline-driven presence. Its compressed width and blocky geometry suggest industrial signage and vintage poster typography, projecting confidence and urgency. The softened corners keep it from feeling harsh, adding a controlled, designed finish.

This design appears intended to deliver maximum impact in minimal horizontal space, pairing a condensed build with softened, superelliptical curves for a distinctive yet controlled silhouette. The consistent upright structure and sturdy strokes suggest a focus on display clarity and strong typographic presence in attention-grabbing contexts.

The narrow letterforms create dense spacing and pronounced vertical texture, which reads especially strong in all-caps settings. Round forms (like O/Q and numerals) retain a squared interior logic that helps maintain uniform color across lines. The font’s distinctive geometry is most noticeable in curved letters and the compact numerals, which appear built to stay legible under tight horizontal constraints.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸