Sans Superellipse Tideg 3 is a very bold, narrow, low contrast, upright, normal x-height font visually similar to 'Laqonic 4F' by 4th february, 'Midnight Sans' by Colophon Foundry, 'Cream Opera' by Factory738, 'Angela Love Sans' by Fargun Studio, and 'Miguel De Northern' by Graphicxell (names referenced only for comparison).
Keywords: posters, headlines, packaging, signage, logos, industrial, poster-ready, playful, handmade, retro, impact, compactness, tactile print, approachability, retro tone, chunky, compressed, rounded corners, soft terminals, roughened edge.
A compact, heavy sans with rounded-rectangle construction and softly squared curves throughout. Strokes are thick and even, with minimal modulation, giving the alphabet a dense, stamped silhouette. Corners are consistently rounded, while the outer contours show subtle roughening and small irregularities that keep the shapes from feeling mechanically perfect. Spacing is tight and the forms are vertically emphatic, producing a strong, blocky rhythm in both all-caps and mixed-case settings.
Best suited for display typography where weight and compactness are an advantage—posters, bold headlines, labels, and storefront-style signage. It also works well for logos and brand marks that want a tough, printed presence without feeling harsh, especially in short phrases and large sizes.
The overall tone feels bold and utilitarian, like lettering made for labels, stencils, or packaging, but with a friendly, slightly scruffy edge. Its rounded geometry keeps the weight approachable, while the compressed proportions add urgency and impact. The faintly distressed outline adds a tactile, printed feel that leans retro and craft-oriented rather than corporate-clean.
The design appears intended to deliver maximum impact in a tight width while preserving a friendly, rounded silhouette. The slightly roughened contours suggest an aim to evoke inked or stamped printing, adding personality and a tactile, analog flavor to an otherwise straightforward geometric sans.
Round letters (such as O/C) read more like squarish bowls with generous rounding, and many terminals end in softly flattened caps rather than sharp points. The lowercase keeps simple, sturdy shapes with squat bowls and a workmanlike texture, helping it maintain consistency with the uppercase. The numerals match the same chunky, rounded-rect style and hold up well at display sizes where the edge texture becomes part of the character.