Sans Superellipse Jirub 1 is a very bold, normal width, monoline, upright, normal x-height font visually similar to 'ATF Poster Gothic' by ATF Collection, 'Military Jr34' by Casloop Studio, 'Double Back' by Comicraft, and 'Evanston Alehouse' by Kimmy Design (names referenced only for comparison).
Keywords: headlines, posters, logos, packaging, app ui, techy, industrial, sporty, playful, futuristic, impact, modernity, ui feel, branding, squarish, rounded, geometric, compact, chunky.
A heavy geometric sans built from squarish, rounded-rectangle forms with consistently softened corners. Strokes are uniform and dense, with tight internal counters that often appear as small rectangular cutouts. Curves are largely resolved as superellipse-like rounds rather than true circles, producing a compact, blocky rhythm and strong vertical emphasis. Terminals are flat and clean, and the overall spacing reads sturdy and poster-forward rather than delicate or airy.
Best suited for headlines, short bursts of text, and display settings where its mass and compact geometry can do the work—such as posters, event graphics, product packaging, and bold branding marks. It can also fit tech or game-adjacent UI and title screens, especially when set with generous size and spacing. For long-form reading or small caption sizes, its tight counters and dense shapes may feel heavy.
The font conveys a bold, tech-forward attitude with an industrial, engineered feel. Its rounded corners keep the tone friendly and game-like, while the chunky silhouettes and tight counters add a rugged, sporty confidence. Overall it suggests modern UI, sci‑fi, and arcade-inspired branding without becoming overly decorative.
The design appears intended to deliver maximum impact through a squared, rounded geometry that reads instantly and reproduces reliably in bold applications. By standardizing curves into softened rectangles and keeping details minimal, it prioritizes a cohesive, engineered look that feels contemporary and screen-friendly.
Uppercase forms are especially squared and monolithic, while lowercase maintains the same construction with simplified bowls and minimal differentiation. Numerals follow the same rounded-rectangle logic, giving tabular-looking blocks that read strongly at large sizes. The distinctive small rectangular apertures and counters become a signature detail that adds character but can reduce legibility in very small text.