Sans Superellipse Jibok 9 is a very bold, normal width, monoline, upright, normal x-height font visually similar to 'Kensmark' by BoxTube Labs, 'Neue Northwest' by Kaligra.co, 'NT Gagarin' by Novo Typo, 'Computechnodigitronic' by Typodermic, and 'Winner Sans' by sportsfonts (names referenced only for comparison).
Keywords: headlines, posters, logotypes, gaming ui, packaging, techy, arcade, industrial, sturdy, playful, impact, modularity, distinctiveness, tech aesthetic, display clarity, rounded corners, squared counters, compact, blocky, geometric.
A heavy, block-constructed sans with rounded-square geometry and a monoline feel. Curves resolve into softened corners rather than true circular arcs, producing squarish bowls and counters (notably in O, Q, o, e, and 8). Terminals are predominantly flat and orthogonal, with occasional angled joins (as in K, k, v, x) that add snap to the rhythm. The lowercase stays compact and sturdy, with simplified forms (single-storey a and g) and small, rectangular interior apertures that emphasize a dense, modular texture in text.
Best suited to headlines, branding, and short bursts of text where its chunky, rounded-square construction can read as intentional and iconic. It can also work well for gaming/tech interfaces, labels, and packaging that benefit from a robust, high-contrast silhouette and a distinctive retro-digital flavor.
The overall tone reads tech-forward and game-like, with a confident, engineered presence. Its rounded-rectangle construction feels modern and slightly retro-digital at the same time, balancing friendliness (soft corners) with toughness (thick, blocky silhouettes).
The design appears intended to translate a rounded-rectangle, modular aesthetic into a practical alphabet with strong presence and consistent stroke logic. It prioritizes impact and recognizability, using squared counters and softened corners to create a cohesive, techno-inspired voice.
Counters are relatively small for the weight, which increases impact at display sizes and creates a strong, even color in lines of text. Spacing in the samples appears generous enough to keep the dense shapes from clogging, while the distinctive squared inner shapes make the face immediately recognizable.