Hollow Other Byba 10 is a very bold, normal width, high contrast, upright, normal x-height font visually similar to 'Hiruko' and 'Hiruko Pro' by HyperFluro, 'Core Sans G' and 'Core Sans GS' by S-Core, and 'Hoopoe' by Umka Type (names referenced only for comparison).
Keywords: posters, headlines, packaging, kids, stickers, playful, whimsical, cartoon, retro, friendly, decorative impact, playful branding, novelty texture, headline focus, youth appeal, rounded, blobby, bulbous, bouncy, soft.
A heavy, rounded display face with inflated, blobby letterforms and softened terminals. Strokes are thick and largely monoline in feel, but are consistently punctuated by small internal cut-outs and pinhole-like counters that create a decorative, hollowed impression. Curves are broad and smooth, joins are cushioned, and many glyphs show slightly uneven contour pressure that gives the alphabet a lively, hand-shaped rhythm. Counters tend to be compact, spacing reads open for the weight, and the overall silhouette stays highly legible at larger sizes despite the ornamental knockouts.
Best suited for short-to-medium display settings where its chunky silhouettes and cut-out details can read clearly—posters, playful branding, product packaging, children’s materials, stickers, and merch graphics. It can also work for attention-grabbing UI headings or social graphics, but the interior knockouts may clutter in small sizes or long paragraphs.
The font conveys a cheerful, mischievous tone—more toy-like than formal—thanks to its bubbly proportions and distinctive punched-out detailing. It feels lighthearted and slightly retro, with a comic, kid-friendly energy that invites attention without looking sharp or aggressive.
The design appears intended as an attention-first display font that blends bold, rounded forms with a signature hollowed detailing to add personality and texture. Its consistent decorative cutouts suggest a goal of creating a memorable, branded look that feels fun, approachable, and distinctly graphic.
The repeated micro-cutouts appear in multiple glyphs (including bowls, terminals, and dots), functioning as a unifying motif rather than incidental texture. Round dots on i/j and the generous curvature throughout reinforce a soft, approachable character; the decorative hollows become more noticeable as sizes increase.