Sans Normal Opdas 5 is a bold, normal width, medium contrast, upright, normal x-height font visually similar to 'Cronos' by Adobe, 'Proza' by Bureau Roffa, and 'Mentor Sans' by Monotype (names referenced only for comparison).
Keywords: headlines, posters, branding, packaging, signage, friendly, confident, modern, approachable, clean, impact, clarity, modern branding, display strength, approachability, geometric, rounded, open counters, compact, high legibility.
A heavy, geometric sans with broad, rounded bowls and smoothly drawn curves that read as clean and contemporary. Strokes are consistently sturdy with only subtle modulation, and terminals are mostly blunt, producing strong, stable silhouettes. Round letters like C, O, and Q feel near-circular with generous interior space, while straighter forms (E, F, H, N) keep crisp edges and even rhythm. Lowercase shapes are compact and sturdy, with single-storey forms where shown (notably a and g), and dots on i/j that appear round and prominent. Numerals are straightforward and weighty, with clear, open forms designed to hold up at display sizes.
This face is well suited to headlines, posters, packaging, and brand marks where a strong, modern voice is needed. It should also perform well for short UI labels and signage thanks to its open counters and straightforward letterforms, especially at medium to large sizes.
The overall tone is friendly and confident, pairing a modern, no-nonsense structure with soft roundness that keeps it approachable. Its solid color and simple construction give it an energetic, dependable feel suited to contemporary branding and bold messaging.
The design appears intended to deliver a contemporary geometric sans with high impact and clear readability. Its rounded construction and simplified forms suggest a focus on versatility for brand-forward applications while maintaining a friendly, accessible character.
In text, the font maintains a strong, even texture with clearly separated letterforms and open counters that support quick recognition. The shapes lean toward geometric construction, giving headlines a punchy presence while keeping curves smooth and consistent.