Sans Superellipse Pibem 7 is a bold, very narrow, low contrast, upright, tall x-height font visually similar to 'FF Good Headline' by FontFont, 'Gotham' by Hoefler & Co., 'JAF Bernini Sans' by Just Another Foundry, and 'Eastman Condensed' by Zetafonts (names referenced only for comparison).
Keywords: posters, headlines, branding, packaging, signage, industrial, poster, condensed, utilitarian, retro, space saving, high impact, geometric consistency, signage clarity, blocky, squared, rounded corners, compact, punchy.
A compact, condensed sans with blocky, rounded-rectangle construction and consistently heavy strokes. Curves resolve into softened corners rather than true circles, giving counters a squarish, superelliptic feel. Terminals are mostly blunt and vertical, with a tight rhythm and minimal modulation, producing a dense, high-impact texture in lines of text. Lowercase forms are sturdy and simplified, and figures follow the same squared, compact logic for an even, mechanical palette.
This font performs best in headlines and short display copy where its compact width and heavy presence can carry the layout. It suits branding and packaging that benefit from an industrial or utilitarian tone, as well as signage and labels where a condensed, space-saving voice is helpful. It can also work for attention-grabbing UI or editorial titling when a strong, compressed texture is desired.
The overall tone is assertive and workmanlike, with a straightforward, industrial voice. Its compact proportions and squared curves suggest signage and utilitarian labeling, while the softened corners keep it approachable rather than harsh. The result feels retro-modern—confident, no-nonsense, and built for strong visual punch.
The design appears intended to deliver maximum impact in limited horizontal space while maintaining a cohesive, geometric voice. By relying on rounded-rectangle forms and blunt terminals, it aims for a sturdy, functional aesthetic that stays consistent across letters and figures.
Spacing appears tight and efficient, reinforcing a tall, stacked look in multi-line settings. The rounded-square geometry is especially apparent in bowls and counters, which stay rectangular in spirit even where the design turns. The type maintains a consistent, controlled silhouette that favors clarity at display sizes.