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Serif Other Tesy 4 is a regular weight, narrow, low contrast, upright, tall x-height font visually similar to 'FX Neofara' by Differentialtype, 'Geogrotesque Condensed Series' and 'Geogrotesque Sharp' by Emtype Foundry, 'PODIUM Sharp' by Machalski, 'Kuunari' and 'Kuunari Rounded' by Melvastype, and 'Navine' by OneSevenPointFive (names referenced only for comparison).

Keywords: headlines, posters, branding, mastheads, packaging, authoritative, editorial, classic, dramatic, institutional, headline focus, brand voice, strong presence, compact setting, wedge-serifed, crisp, chiseled, compact, angular.


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A compact serif design with sturdy, low-contrast strokes and strongly articulated terminals. Serifs are sharp and wedge-like, with pointed feet and tapered ends that create a chiseled silhouette. The proportions are tight and vertical, with a notably tall x-height and relatively short ascenders, producing a dense, efficient texture in text. Counters stay fairly open despite the heavy presence of terminals, and the rhythm feels steady and emphatic rather than delicate.

Well-suited for headlines, subheads, posters, and branding where a compact serif with a commanding voice is desired. It can work in short-to-medium text settings such as pull quotes, captions, or packaging copy when a firm, editorial tone is appropriate. The strong terminals and tight proportions also make it effective for logotypes, mastheads, and signage where space is limited but presence matters.

This typeface gives off a confident, poster-forward tone with a touch of old-style formality. The crisp, tapered terminals and sharp joins lend it a slightly dramatic, editorial feel rather than a purely utilitarian one. Overall it reads as authoritative and a bit theatrical, suited to statements and headings.

The design appears intended to deliver high impact in limited horizontal space, using narrow proportions and a tall x-height to keep words dense and readable. Its pointed wedge serifs and firm stroke endings suggest an aim for a distinctive, engraved or chiseled personality without relying on high contrast. The overall construction prioritizes clarity and punch in display sizes while maintaining a coherent text rhythm.

The numerals and capitals carry the same wedge-terminal logic, giving a consistent, carved look across mixed typography. The lowercase maintains a dense color on the page, with minimal stroke modulation and pronounced end shapes that keep the texture lively.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸