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Free for Commercial Use

Sans Normal Boluv 10 is a regular weight, wide, low contrast, upright, normal x-height font visually similar to '1955' by Alan Smithee Studio, 'Neo Grotesk' by Fontador, 'Jindo' by Nine Font, 'Pepi/Rudi' by Suitcase Type Foundry, 'Nuno' by Type.p, 'Kommon Grotesk' by TypeK, and 'Palo' by TypeUnion (names referenced only for comparison).

Keywords: ui text, branding, signage, editorial, presentations, modern, neutral, clean, corporate, functional, clarity, versatility, neutral branding, systematic design, geometric, rounded, open apertures, even color, monolinear.


Free for commercial use
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A clean sans with largely monolinear strokes and a gently geometric construction. Round letters lean toward circular forms with smooth curves, while verticals and horizontals stay straight and firm, producing an even typographic color. Counters are open and generous, with clear apertures in letters like C, S, and e, and a straightforward, unembellished terminal treatment. Proportions feel slightly expanded, giving capitals and numerals a stable, airy stance and maintaining consistent spacing in running text.

This font suits interfaces, dashboards, and product typography where clear shapes and an even tone help scanning. Its expanded proportions and open counters also make it effective for signage, slide decks, and general branding systems that need a neutral sans for headings and short to medium text blocks.

The overall tone is contemporary and matter-of-fact, prioritizing clarity over personality. Its restraint and balanced rhythm read as professional and dependable, with a mild geometric crispness that keeps it feeling current rather than warm or nostalgic.

The design appears intended as a general-purpose geometric-leaning sans that stays unobtrusive while remaining crisp and contemporary. It aims for broad usability through simple construction, consistent stroke behavior, and readable, open interior spaces.

The sample text shows steady baseline behavior and a cohesive rhythm across mixed-case settings, with numerals that match the letterforms in width and visual weight. Diagonals (e.g., V, W, X) are clean and decisive without sharp contrast, supporting a consistent, predictable texture at larger text sizes.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸